Summary:John Grisham's head was full of movies when he wrote The Pelican Brief, which is such a brisk page-turner you could use it to dry your hair. He had Julia Roberts in mind for the heroine, Darby Shaw, a brilliant Tulane law student who comes up with an ingenious theory to explain the baffling assassinations of two Supreme Court justices in one day. They were shot and strangled by ace international terrorist Khamel, who loves the film Three Days of the Condor, but government gumshoes don't get what connects the deaths. Silly government guys! They died so the conservative president, who just wants to be left alone to play golf, will appoint new, conservative justices who will help out a case involving an industrialist who is the enemy of pelicans and other living things. It's all spelled out for them in Darby's brief. She likes to do legal feats to impress her boyfriend, her boyish law prof Thomas (who, like Grisham, prefers to shave at most once a week, and is cool, smart, and antiauthoritarian). The prof likes to paint her toes red, in homage to Susan Sarandon in Bull Durham. But when Thomas gets splattered by a car bomb meant for Darby, she escapes the hospital and hooks up with a Washington Post reporter, Gray Grantham, who sleuths like the guys in All the President's Men. Grisham wishes he hadn't written The Pelican Brief quite so quickly (his first novel, A Time to Kill, went through dozens of drafts), but Pelican's very breathlessness contributes to its dreamy, cinematic chase-o-rama atmosphere.
The plot:Writing in the first person, a rarity for this veteran author, has inspired and energized Clark. Her 21st novel of intrigue is her best in years, a tightly woven, emotionally potent tale of suspense and revenge. Clark's new heroine is Atlanta investigative journalist Ellie Cavanaugh, who was seven when her sister, Andrea, 15, was beaten to death by 20-year-old Rob Westerfield, scion of the wealthiest family in a small Westchester town. Now Westerfield is up for parole, so Ellie, now 30, returns home to speak out against him. When Westerfield is released, Ellie begins to write a book aimed at re-proving his guilt. Digging for evidence, she uncovers clues that Westerfield may have committed another murder as a youth, but that digging also enrages the Westerfields and other town members who think the man was railroaded. Before long, Ellie's life is in danger, as someone breaks into the house she's staying in, then later sets fire to it, nearly killing her, and as Westerfield himself begins to shadow her moves. What makes this novel work isn't only the considerable tension Clark teases from Ellie's precarious position, but the thoughtful backgrounding to the action. Ellie is cast as a lonely woman, without a lover and estranged from her father and half-brother: will she accept one or the other into her guarded life?; and she carries a heavy load of guilt for her sister's death, wondering at times if she is blinded by her thirst for vengeance. With its textured plot, well-sketched secondary characters, strong pacing and appealing heroine, this is Clark at her most winning.
Summary: John Grisham's head was full of movies when he wrote The Pelican Brief, which is such a brisk page-turner you could use it to dry your hair. He had Julia Roberts in mind for the heroine, Darby Shaw, a brilliant Tulane law student who comes up with an ingenious theory to explain the baffling assassinations of two Supreme Court justices in one day. They were shot and strangled by ace international terrorist Khamel, who loves the film Three Days of the Condor, but government gumshoes don't get what connects the deaths. Silly government guys! They died so the conservative president, who just wants to be left alone to play golf, will appoint new, conservative justices who will help out a case involving an industrialist who is the enemy of pelicans and other living things. It's all spelled out for them in Darby's brief. She likes to do legal feats to impress her boyfriend, her boyish law prof Thomas (who, like Grisham, prefers to shave at most once a week, and is cool, smart, and antiauthoritarian). The prof likes to paint her toes red, in homage to Susan Sarandon in Bull Durham. But when Thomas gets splattered by a car bomb meant for Darby, she escapes the hospital and hooks up with a Washington Post reporter, Gray Grantham, who sleuths like the guys in All the President's Men. Grisham wishes he hadn't written The Pelican Brief quite so quickly (his first novel, A Time to Kill, went through dozens of drafts), but Pelican's very breathlessness contributes to its dreamy, cinematic chase-o-rama atmosphere.
The plot: Writing in the first person, a rarity for this veteran author, has inspired and energized Clark. Her 21st novel of intrigue is her best in years, a tightly woven, emotionally potent tale of suspense and revenge. Clark's new heroine is Atlanta investigative journalist Ellie Cavanaugh, who was seven when her sister, Andrea, 15, was beaten to death by 20-year-old Rob Westerfield, scion of the wealthiest family in a small Westchester town. Now Westerfield is up for parole, so Ellie, now 30, returns home to speak out against him. When Westerfield is released, Ellie begins to write a book aimed at re-proving his guilt. Digging for evidence, she uncovers clues that Westerfield may have committed another murder as a youth, but that digging also enrages the Westerfields and other town members who think the man was railroaded. Before long, Ellie's life is in danger, as someone breaks into the house she's staying in, then later sets fire to it, nearly killing her, and as Westerfield himself begins to shadow her moves. What makes this novel work isn't only the considerable tension Clark teases from Ellie's precarious position, but the thoughtful backgrounding to the action. Ellie is cast as a lonely woman, without a lover and estranged from her father and half-brother: will she accept one or the other into her guarded life?; and she carries a heavy load of guilt for her sister's death, wondering at times if she is blinded by her thirst for vengeance. With its textured plot, well-sketched secondary characters, strong pacing and appealing heroine, this is Clark at her most winning.
